Matt Charnock

Having served as one of the first shelter-in-place hotels for unhoused individuals in the pandemic, the city plans to turn the <a href="https://www.thclinic.org/properties/housing-portfolio-detail.php?id=25">Abigail Hotel</a> at 246 McAllister Street into a permanent housing site with at least 59 units.

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Having served as one of the first shelter-in-place hotels for unhoused individuals in the pandemic, the city plans to turn the <a href="https://www.thclinic.org/properties/housing-portfolio-detail.php?id=25">Abigail Hotel</a> at 246 McAllister Street into a permanent housing site with at least 59 units.

San Francisco is leasing the Abigail Hotel and plans to subsidize the units, and tapped the Tenderloin Housing Clinic—a major provider of affordable and single room occupancy housing in the city, with a portfolio of 24 properties—to oversee day-to-day operations. 

San Francisco is leasing the Abigail Hotel and plans to subsidize the units, and tapped the Tenderloin Housing Clinic—a major provider of affordable and single room occupancy housing in the city, with a portfolio of 24 properties—to oversee day-to-day operations.

Abigail Hotel will join the city’s portfolio of “Step-Up Housing,” intended as a more independent living environment compared to service-intensive permanent supportive housing units. San Francisco currently operates about 400 units under the step-up housing program; the Abigail Hotel’s yet-to-open 59 affordable housing units will increase that stock by nearly 15 percent.

Abigail Hotel will join the city’s portfolio of “Step-Up Housing,” intended as a more independent living environment compared to service-intensive permanent supportive housing units. San Francisco currently operates about 400 units under the step-up housing program; the Abigail Hotel’s yet-to-open 59 affordable housing units will increase that stock by nearly 15 percent.

“We know that housing is the solution to homelessness, and the Abigail Hotel will provide people with histories of homelessness with a permanent place to live and will allow people newly transitioning off the streets access to supportive housing,” said Mayor Breed on Monday.

“We know that housing is the solution to homelessness, and the Abigail Hotel will provide people with histories of homelessness with a permanent place to live and will allow people newly transitioning off the streets access to supportive housing,” said Mayor Breed on Monday.

Historically, the Abigail Hotel was a single-occupancy hotel for low-income individuals since first opening its doors in 1925. Tenderloin Housing Clinic secured the 62-unit dwelling for the preservation of the hotel’s residential status back in the 1980s. <meta charset="utf-8">The city described the Abigail Hotel as an ideal environment for step-up housing because of its private bathrooms, community space and other amenities.&nbsp;

Historically, the Abigail Hotel was a single-occupancy hotel for low-income individuals since first opening its doors in 1925. Tenderloin Housing Clinic secured the 62-unit dwelling for the preservation of the hotel’s residential status back in the 1980s. <meta charset="utf-8">The city described the Abigail Hotel as an ideal environment for step-up housing because of its private bathrooms, community space and other amenities.&nbsp;

During the pandemic, the Abigail Hotel was one of 25 hotel sites used as temporary housing for homeless individuals in San Francisco to mitigate the spread of COVID-19. The city placed about 3,800 people in shelter-in-place hotels or trailers throughout the pandemic, and the city says it has rehoused more than 2,000 of those guests so far.&nbsp;Along with other sites, the city began winding down the Abigail Hotel as shelter-in-place housing in June 2021.

During the pandemic, the Abigail Hotel was one of 25 hotel sites used as temporary housing for homeless individuals in San Francisco to mitigate the spread of COVID-19. The city placed about 3,800 people in shelter-in-place hotels or trailers throughout the pandemic, and the city says it has rehoused more than 2,000 of those guests so far.&nbsp;Along with other sites, the city began winding down the Abigail Hotel as shelter-in-place housing in June 2021.

The Abigail Hotel conversion is part of a broader reshuffling of the city’s low-income housing stock in response to the pandemic, and as part of an effort to place more homeless individuals in permanent housing.&nbsp;

The Abigail Hotel conversion is part of a broader reshuffling of the city’s low-income housing stock in response to the pandemic, and as part of an effort to place more homeless individuals in permanent housing.&nbsp;

The city’s Department of Homelessness and Supportive Housing (HSH) also carved out a series of deals to buy underused hotels or housing sites for permanent supportive housing. Those sites include The&nbsp;Panoramic, a micro-apartment complex in South of Market, The Mission Inn in the Outer Mission, and the Eula Hotel at 3061 16th Street in the Mission District.

The city’s Department of Homelessness and Supportive Housing (HSH) also carved out a series of deals to buy underused hotels or housing sites for permanent supportive housing. Those sites include The&nbsp;Panoramic, a micro-apartment complex in South of Market, The Mission Inn in the Outer Mission, and the Eula Hotel at 3061 16th Street in the Mission District.

&#8220;The Department of Homelessness and Supportive Housing (HSH) regularly seeks proposals from organizations interested in contracting with the department to provide support services, shelter and housing to people experiencing homelessness in San Francisco,&#8221; said Deborah Bouck, a spokesperson for HSH.

"The Department of Homelessness and Supportive Housing (HSH) regularly seeks proposals from organizations interested in contracting with the department to provide support services, shelter and housing to people experiencing homelessness in San Francisco," said Deborah Bouck, a spokesperson for HSH.

&#8220;The Department of Homelessness and Supportive Housing (HSH) regularly seeks proposals from organizations interested in contracting with the department to provide support services, shelter and housing to people experiencing homelessness in San Francisco,&#8221; said Deborah Bouck, a spokesperson for HSH.

City to reopen downtown hotel as permanent low-income housing stock

Kevin Truong

A computer program helped write the headline above.&nbsp;

A computer program helped write the headline above.&nbsp;

As a neurotic journalist, I&#8217;m simultaneously amazed and terrified. The competing promises of AI—to simplify my work or erase the need for it completely—are a little too imminent for comfort.

As a neurotic journalist, I'm simultaneously amazed and terrified. The competing promises of AI—to simplify my work or erase the need for it completely—are a little too imminent for comfort.

As a neurotic journalist, I&#8217;m simultaneously amazed and terrified. The competing promises of AI—to simplify my work or erase the need for it completely—are a little too imminent for comfort.

I’m struggling with how rational those concerns are, but what I do know is that fears are not always rational. My brain has been somersaulting through questions around the ramifications of a technology that even scientists don’t fully understand.&nbsp;&nbsp;

I’m struggling with how rational those concerns are, but what I do know is that fears are not always rational. My brain has been somersaulting through questions around the ramifications of a technology that even scientists don’t fully understand.&nbsp;&nbsp;

The promise of a tool that can automate tasks that took me years to learn, develop and sharpen feels like a missile headed directly for my career.&nbsp;

The promise of a tool that can automate tasks that took me years to learn, develop and sharpen feels like a missile headed directly for my career.&nbsp;

Now, I’m asking myself the kinds of heady, philosophical questions that I would generally scoff at. What is the true value of my craft? What do we lose when we cede our creative life to a machine? Who am I in a world where anyone can write a piece like this with just a few simple prompts?&nbsp;&nbsp;&nbsp;

Now, I’m asking myself the kinds of heady, philosophical questions that I would generally scoff at. What is the true value of my craft? What do we lose when we cede our creative life to a machine? Who am I in a world where anyone can write a piece like this with just a few simple prompts?&nbsp;&nbsp;&nbsp;

Then other times, I think maybe I’ll just take up dog walking.

Then other times, I think maybe I’ll just take up dog walking.

Journalists watch an introductory video by the 'artificial intelligence' anchor Fedha on the twitter account of Kuwait News service, in Kuwait City on April 9, 2023.

<figure class="wp-block-image size-large"><img height="1667" width="2500" src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED5_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202539"/><figcaption class="wp-element-caption">Journalists watch an introductory video by the &#8220;artificial intelligence&#8221; anchor Fedha on the Twitter account of Kuwait News based in Kuwait City on April 9, 2023.</figcaption></figure>

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<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED5_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202539"/><figcaption class="wp-element-caption">Journalists watch an introductory video by the "artificial intelligence" anchor Fedha on the Twitter account of Kuwait News based in Kuwait City on April 9, 2023.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED5_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202539"/><figcaption class="wp-element-caption">Journalists watch an introductory video by the &#8220;artificial intelligence&#8221; anchor Fedha on the Twitter account of Kuwait News based in Kuwait City on April 9, 2023.</figcaption></figure>

No one knows, ultimately, how generative AI—technology that can produce text, images and other media—will change the job market and the nature of creative work. Policymakers appear to be taking an early and active role in trying to regulate the technology and head off likely massive labor and social shifts. Yet projections from some economic analysts are chilling.&nbsp;

No one knows, ultimately, how generative AI—technology that can produce text, images and other media—will change the job market and the nature of creative work. Policymakers appear to be taking an early and active role in trying to regulate the technology and head off likely massive labor and social shifts. Yet projections from some economic analysts are chilling.&nbsp;

<a href="https://www.key4biz.it/wp-content/uploads/2023/03/Global-Economics-Analyst_-The-Potentially-Large-Effects-of-Artificial-Intelligence-on-Economic-Growth-Briggs_Kodnani.pdf" target="_blank" rel="noreferrer noopener">A March report from Goldman Sachs</a> found that AI could eliminate or partially automate some 300 million full-time jobs, with administrative workers and lawyers listed as two fields expected to be most affected.&nbsp;

<a href="https://www.key4biz.it/wp-content/uploads/2023/03/Global-Economics-Analyst_-The-Potentially-Large-Effects-of-Artificial-Intelligence-on-Economic-Growth-Briggs_Kodnani.pdf" target="_blank" rel="noreferrer noopener">A March report from Goldman Sachs</a> found that AI could eliminate or partially automate some 300 million full-time jobs, with administrative workers and lawyers listed as two fields expected to be most affected.&nbsp;

That prediction was paired with optimism that labor productivity would rise in line with technological revolutions like the personal computer and reassurance that industries are “more likely to be complemented rather than substituted by AI.” The report also raised the potential for the creation of jobs and occupations that never existed before.&nbsp;

That prediction was paired with optimism that labor productivity would rise in line with technological revolutions like the personal computer and reassurance that industries are “more likely to be complemented rather than substituted by AI.” The report also raised the potential for the creation of jobs and occupations that never existed before.&nbsp;

Mayor London Breed, center, speaks to high school students after a press conference announcing Salesforce’s $20 million grant at George Washington High School in San Francisco on Monday, Sept. 11, 2023. San Francisco Unified School District (SFUSD) and Oakland Unified School District (OUSD) will receive $5.5 million each to help prepare students for careers in Artificial Intelligence (AI).

<figure class="wp-block-image size-large"><img height="1667" width="2500" src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED1_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202535"/><figcaption class="wp-element-caption">San Francisco Mayor London Breed, center, speaks to high school students after a press conference announcing Salesforce’s $20 million grant to help Oakland and San Francisco prepare students for careers in AI.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED1_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202535"/><figcaption class="wp-element-caption">San Francisco Mayor London Breed, center, speaks to high school students after a press conference announcing Salesforce’s $20 million grant to help Oakland and San Francisco prepare students for careers in AI.</figcaption></figure>

San Francisco leaders are banking on that promise to launch the city into its next boom. Mayor London Breed has declared San Francisco “the AI Capital of the World” and boosters have hung their hopes on AI companies filling empty offices and kick-starting an economic recovery.

San Francisco leaders are banking on that promise to launch the city into its next boom. Mayor London Breed has declared San Francisco “the AI Capital of the World” and boosters have hung their hopes on AI companies filling empty offices and kick-starting an economic recovery.

But the revolutionary tools have drastically cut work opportunities for people like Emily Hanley. The Los Angeles-based writer <a href="https://www.businessinsider.com/lost-job-chatgpt-made-me-obsolete-copywriter-2023-7" target="_blank" rel="noreferrer noopener">published a column</a> laying out how her copywriting gigs gradually, then suddenly, dried up because, she inferred, clients were turning to ChatGPT for a cheaper alternative.&nbsp;

But the revolutionary tools have drastically cut work opportunities for people like Emily Hanley. The Los Angeles-based writer <a href="https://www.businessinsider.com/lost-job-chatgpt-made-me-obsolete-copywriter-2023-7" target="_blank" rel="noreferrer noopener">published a column</a> laying out how her copywriting gigs gradually, then suddenly, dried up because, she inferred, clients were turning to ChatGPT for a cheaper alternative.&nbsp;

A desperate job search garnered an interview with a company that, in a bit of brutal irony, was offering a six-month contract to train its own internal AI on copywriting tasks. She didn’t end up getting the job and now works passing out samples at grocery stores.&nbsp;

A desperate job search garnered an interview with a company that, in a bit of brutal irony, was offering a six-month contract to train its own internal AI on copywriting tasks. She didn’t end up getting the job and now works passing out samples at grocery stores.&nbsp;

AI is also a central antagonist in the strikes called by the Writers’ Guild of America and SAG-AFTRA. Both organizations have positioned algorithmically generated content as a pervasive threat to the idea of creative work.

AI is also a central antagonist in the strikes called by the Writers’ Guild of America and SAG-AFTRA. Both organizations have positioned algorithmically generated content as a pervasive threat to the idea of creative work.

Ultimately, the growing divide appears to be between those that feel they can take advantage of AI and those who will be swept away in its reshaping of the larger economy. What side of that split will I find myself on?&nbsp;&nbsp;

Ultimately, the growing divide appears to be between those that feel they can take advantage of AI and those who will be swept away in its reshaping of the larger economy. What side of that split will I find myself on?&nbsp;&nbsp;

<h2 class="wp-block-heading" id="h-from-producing-to-directing">From Producing to Directing</h2>

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<h2 class="wp-block-heading" id="h-from-producing-to-directing">From Producing to Directing</h2>

Using ChatGPT for the first time is a miraculous experience, but one that gradually turns into a slightly sickly feeling in the stomach, like gorging yourself on too much Mitchell’s Ice Cream.&nbsp;

Using ChatGPT for the first time is a miraculous experience, but one that gradually turns into a slightly sickly feeling in the stomach, like gorging yourself on too much Mitchell’s Ice Cream.&nbsp;

Cracking open the technology and peering under the hood is an important step in moving from suspicion to understanding. That’s part of what inspired San Francisco journalist and writer Laird Harrison to dive deep into how to use the technology.&nbsp;

Cracking open the technology and peering under the hood is an important step in moving from suspicion to understanding. That’s part of what inspired San Francisco journalist and writer Laird Harrison to dive deep into how to use the technology.&nbsp;

Harrison now <a href="https://www.writersgrotto.org/classes-and-events/improve-your-writing-with-ai-with-laird-harrison-october-2023">teaches a class through the San Francisco Writers Grotto</a> titled “Use AI to Improve Your Writing.” His course is meant to help students effectively utilize technology as a tool and avoid common pitfalls. Harrison’s use of AI is driven by a feeling that the technology is transformative, whether he likes it or not.&nbsp;

Harrison now <a href="https://www.writersgrotto.org/classes-and-events/improve-your-writing-with-ai-with-laird-harrison-october-2023">teaches a class through the San Francisco Writers Grotto</a> titled “Use AI to Improve Your Writing.” His course is meant to help students effectively utilize technology as a tool and avoid common pitfalls. Harrison’s use of AI is driven by a feeling that the technology is transformative, whether he likes it or not.&nbsp;

“If I had the choice and I could roll back the clock and not have AI invented, I probably would,” Harrison said. “But I can’t, so I’m trying to figure out how to make use of it and how to help other people make use of it.”

“If I had the choice and I could roll back the clock and not have AI invented, I probably would,” Harrison said. “But I can’t, so I’m trying to figure out how to make use of it and how to help other people make use of it.”

In some of his early experiments with ChatGPT, the “brand name” generative AI tool that can generate text, he asked the platform to take a medical journal article and turn it into a news story. The technology did a great job in reformatting the piece and writing it in an accessible style but also tacked on “facts” that were simply untrue.&nbsp;

In some of his early experiments with ChatGPT, the “brand name” generative AI tool that can generate text, he asked the platform to take a medical journal article and turn it into a news story. The technology did a great job in reformatting the piece and writing it in an accessible style but also tacked on “facts” that were simply untrue.&nbsp;

“It’s almost the opposite of what we&#8217;re used to with computers where we expect computers to be really, really good at facts and logic and precision, but not able to understand ordinary human conversation,” Harrison said. “Here it&#8217;s just flipped.”

“It’s almost the opposite of what we're used to with computers where we expect computers to be really, really good at facts and logic and precision, but not able to understand ordinary human conversation,” Harrison said. “Here it's just flipped.”

“It’s almost the opposite of what we&#8217;re used to with computers where we expect computers to be really, really good at facts and logic and precision, but not able to understand ordinary human conversation,” Harrison said. “Here it&#8217;s just flipped.”

Generative AI platforms like ChatGPT lack an independent model for the world, meaning it’s prone to mistakes. The technology is excellent at bullshitting and sounding extremely confident while doing so.&nbsp;

Generative AI platforms like ChatGPT lack an independent model for the world, meaning it’s prone to mistakes. The technology is excellent at bullshitting and sounding extremely confident while doing so.&nbsp;

These tools work on a very complex pattern recognition system, in effect a highly advanced form of autocomplete. Based on its training data, generative AI platforms predict and generate the most statistically likely word to come next.&nbsp;

These tools work on a very complex pattern recognition system, in effect a highly advanced form of autocomplete. Based on its training data, generative AI platforms predict and generate the most statistically likely word to come next.&nbsp;

However, there are ways to trip it up.&nbsp;

However, there are ways to trip it up.&nbsp;

One common experiment is asking a generative AI platform to multiply two large numbers. More often than not, the technology will get the answer wrong. That’s because the model&#8217;s technology doesn’t really understand math, but is instead generating an answer based off similar multiplication problems gleaned from its massive volume of training data.&nbsp;

One common experiment is asking a generative AI platform to multiply two large numbers. More often than not, the technology will get the answer wrong. That’s because the model's technology doesn’t really understand math, but is instead generating an answer based off similar multiplication problems gleaned from its massive volume of training data.&nbsp;

One common experiment is asking a generative AI platform to multiply two large numbers. More often than not, the technology will get the answer wrong. That’s because the model&#8217;s technology doesn’t really understand math, but is instead generating an answer based off similar multiplication problems gleaned from its massive volume of training data.&nbsp;

Calculations require more precision than, say, writing a sonnet in the style of William Shakespeare.

Calculations require more precision than, say, writing a sonnet in the style of William Shakespeare.

Machine learning and Ai text book sit next to keyboard as students listen to a lecture during “Introduction to Artificial Intelligence and Machine Learning” course at Laney College in Oakland on Saturday, September 2, 2023. Laney College began offering AI courses this year, providing a low-barrier option for students looking to tap into the plethora of AI-based opportunities in the Bay Area.


Students look at books on AI and machine learning at Laney College in Oakland on Saturday, September 2, 2023. Laney College began offering AI courses this year, providing a low-barrier option for students looking to tap into the plethora of AI-based opportunities in the Bay Area.

<figure class="wp-block-image size-large"><img height="1666" width="2500" src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED3_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202537"/><figcaption class="wp-element-caption">Machine learning and AI textbooks sit next to keyboard as students listen to a lecture during an “Introduction to Artificial Intelligence and Machine Learning” course at Laney College in Oakland.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED3_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202537"/><figcaption class="wp-element-caption">Machine learning and AI textbooks sit next to keyboard as students listen to a lecture during an “Introduction to Artificial Intelligence and Machine Learning” course at Laney College in Oakland.</figcaption></figure>

For his students, Laird recommends using the models as a way to kick-start ideation or chip away at writer’s block. The models are great at helping to come up with baseline scenarios, character details, metaphors, elevator pitches and titles. Harrison recently used the model to help come up with long-winded “business speak” for character dialogue.&nbsp;&nbsp;

For his students, Laird recommends using the models as a way to kick-start ideation or chip away at writer’s block. The models are great at helping to come up with baseline scenarios, character details, metaphors, elevator pitches and titles. Harrison recently used the model to help come up with long-winded “business speak” for character dialogue.&nbsp;&nbsp;

There are also more workaday uses like organizing outlines, condensing language and rewriting content as social media posts or press releases.&nbsp;

There are also more workaday uses like organizing outlines, condensing language and rewriting content as social media posts or press releases.&nbsp;

One of the unanswered questions Harrison is weighing is how critical teaching basic skills like grammar and sentence structure is in a world of AI. Are they tantamount to the now-archaic requirements for penmanship and cursive superseded by computer word processing?

One of the unanswered questions Harrison is weighing is how critical teaching basic skills like grammar and sentence structure is in a world of AI. Are they tantamount to the now-archaic requirements for penmanship and cursive superseded by computer word processing?

“I want the next generation of journalists to learn how to do all the things I had to learn, but I also think I have to teach them how to use tools that avoid doing some of the things I had to learn,” Harrison said.&nbsp;

“I want the next generation of journalists to learn how to do all the things I had to learn, but I also think I have to teach them how to use tools that avoid doing some of the things I had to learn,” Harrison said.&nbsp;

Vipul Vyas is an adjunct professor at the University of San Francisco and an executive at San Francisco startup Persado, which is using generative AI to personalize marketing messages for consumers.&nbsp;

Vipul Vyas is an adjunct professor at the University of San Francisco and an executive at San Francisco startup Persado, which is using generative AI to personalize marketing messages for consumers.&nbsp;

“White-collar labor is going to go from producing to directing,” Vyas said. “It’s the same way that a backhoe operator has gone from directing a machine versus digging via brute force.”

“White-collar labor is going to go from producing to directing,” Vyas said. “It’s the same way that a backhoe operator has gone from directing a machine versus digging via brute force.”

Vyas requires the use of generative AI models by his students because of that belief. He describes the core driver of this technology as “drudgery removal.” In essence, creating a situation where a mocking blank sheet of paper or an unfilled report will never exist again.

Vyas requires the use of generative AI models by his students because of that belief. He describes the core driver of this technology as “drudgery removal.” In essence, creating a situation where a mocking blank sheet of paper or an unfilled report will never exist again.

He believes white-collar job destruction, or at least reduction, will be in the fields that rely heavily on pattern recognition and repetitive tasks.&nbsp;

He believes white-collar job destruction, or at least reduction, will be in the fields that rely heavily on pattern recognition and repetitive tasks.&nbsp;

So will copywriters exist in five or 10 years? Not in the same form, Vyas said. It’s a matter of scale, while a human has a limited amount of lived experience, a large language model is an aggregation of millions.&nbsp;

So will copywriters exist in five or 10 years? Not in the same form, Vyas said. It’s a matter of scale, while a human has a limited amount of lived experience, a large language model is an aggregation of millions.&nbsp;

“If you’re trying to sell something as a copywriter, you may just want what is most effective. If you’re trying to express something novel, it’s a different story,” Vyas said. “A Best Buy in Sunnyvale is not the height of architecture; it’s the height of efficiency and efficacy.”

“If you’re trying to sell something as a copywriter, you may just want what is most effective. If you’re trying to express something novel, it’s a different story,” Vyas said. “A Best Buy in Sunnyvale is not the height of architecture; it’s the height of efficiency and efficacy.”

<h2 class="wp-block-heading" id="h-outmoded-in-the-snap-of-a-finger">‘Outmoded in the Snap of a Finger’</h2>

One person who does not have a problem being a public evangelist for the use of AI is Michael Nuñez, the editorial director of VentureBeat, a tech-focused publication based in San Francisco.

One person who does not have a problem being a public evangelist for the use of AI is Michael Nuñez, the editorial director of VentureBeat, a tech-focused publication based in San Francisco.

“By the end of the year, I think that generative AI will touch every part of the process of news, from ideation to headline generation to story editing,” Nuñez said onstage at a panel hosted by the San Francisco Press Club.&nbsp;

“By the end of the year, I think that generative AI will touch every part of the process of news, from ideation to headline generation to story editing,” Nuñez said onstage at a panel hosted by the San Francisco Press Club.&nbsp;

Nuñez said he uses AI-enabled chatbots to research and summarize topics, brainstorm new ideas, formulate headlines, copy-edit articles and rewrite clunky sections. In one case, Nuñez used ChatGPT to turn his notes from a boozy tech event into a coherent article that he edited and published the next day.&nbsp;

Nuñez said he uses AI-enabled chatbots to research and summarize topics, brainstorm new ideas, formulate headlines, copy-edit articles and rewrite clunky sections. In one case, Nuñez used ChatGPT to turn his notes from a boozy tech event into a coherent article that he edited and published the next day.&nbsp;

Further, he added that he didn’t think readers particularly cared about unattributed bits of language written by a chatbot and inserted into a story, given the content is independently verified. The statement garnered <a href="https://www.bloomberg.com/news/newsletters/2023-04-28/ai-in-news-reporting-a-test-is-coming-for-journalism-ethics" target="_blank" rel="noreferrer noopener">a fair amount</a> of criticism, mostly <a href="https://www.sfexaminer.com/news/technology/when-journalists-use-ai/article_74777d44-ee1f-11ed-8458-a745a7df9e74.html" target="_blank" rel="noreferrer noopener">centered on transparency</a> to readers, but Nuñez is not waffling.&nbsp;

Further, he added that he didn’t think readers particularly cared about unattributed bits of language written by a chatbot and inserted into a story, given the content is independently verified. The statement garnered <a href="https://www.bloomberg.com/news/newsletters/2023-04-28/ai-in-news-reporting-a-test-is-coming-for-journalism-ethics" target="_blank" rel="noreferrer noopener">a fair amount</a> of criticism, mostly <a href="https://www.sfexaminer.com/news/technology/when-journalists-use-ai/article_74777d44-ee1f-11ed-8458-a745a7df9e74.html" target="_blank" rel="noreferrer noopener">centered on transparency</a> to readers, but Nuñez is not waffling.&nbsp;

Michael Nuñez, the editorial director of VentureBeat, speaks during an AI meetup event hosted by VentureBeat and Lightning AI in New York City on Tuesday, August 22.

<figure class="wp-block-image size-large"><img height="1667" width="2500" src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED4_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202538"/><figcaption class="wp-element-caption">Michael Nuñez, the editorial director of VentureBeat, speaks during an AI meetup event hosted by VentureBeat and Lightning AI in New York City on Aug. 22.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED4_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202538"/><figcaption class="wp-element-caption">Michael Nuñez, the editorial director of VentureBeat, speaks during an AI meetup event hosted by VentureBeat and Lightning AI in New York City on Aug. 22.</figcaption></figure>

“Everyone was really meager and afraid of the technology,” Nuñez said of his experience in the panel. “Everyone seemed to be talking about why not to use it.”

“Everyone was really meager and afraid of the technology,” Nuñez said of his experience in the panel. “Everyone seemed to be talking about why not to use it.”

Specifically, the panel raised issues including AI “hallucination” of false information and the new technology overriding foundational journalism ethics and education.&nbsp;

Specifically, the panel raised issues including AI “hallucination” of false information and the new technology overriding foundational journalism ethics and education.&nbsp;

Many journalists have reflexive skepticism of disruptive new developments in the tech sector, which have historically rapidly created new centers of powers and wealth, alongside unforeseen collateral damage.&nbsp;

Many journalists have reflexive skepticism of disruptive new developments in the tech sector, which have historically rapidly created new centers of powers and wealth, alongside unforeseen collateral damage.&nbsp;

Nuñez said his own initial skepticism started to turn after stress-testing the platforms and learning that essentially the entire history of human writing was incorporated into the model.

Nuñez said his own initial skepticism started to turn after stress-testing the platforms and learning that essentially the entire history of human writing was incorporated into the model.

“It included every biblical text, every Wikipedia page and the work of the Esquire and New York Magazine writers I read growing up,” Nuñez said. “Just knowing that all my favorite writers were included in the model helped unlock for me what it was capable of.”

“It included every biblical text, every Wikipedia page and the work of the Esquire and New York Magazine writers I read growing up,” Nuñez said. “Just knowing that all my favorite writers were included in the model helped unlock for me what it was capable of.”

But that voracious ingestion of content has become a source of legal conflict. Numerous groups have sued Google and ChatGPT&#8217;s parent company, OpenAI, accusing the companies of stealing copyrighted material and personal private information without consent.&nbsp;

But that voracious ingestion of content has become a source of legal conflict. Numerous groups have sued Google and ChatGPT's parent company, OpenAI, accusing the companies of stealing copyrighted material and personal private information without consent.&nbsp;

But that voracious ingestion of content has become a source of legal conflict. Numerous groups have sued Google and ChatGPT&#8217;s parent company, OpenAI, accusing the companies of stealing copyrighted material and personal private information without consent.&nbsp;

Criticism of AI in media and journalism range from platforms publishing false information to dislocation in a profession already cut to the bone with layoffs and shrinking budgets.&nbsp;

Criticism of AI in media and journalism range from platforms publishing false information to dislocation in a profession already cut to the bone with layoffs and shrinking budgets.&nbsp;

The genuine idea by AI proponents is nearly always that the technology will free up time for “higher value tasks.” Not having to read through and annotate a 100-page report or write up rote copy about a new product release, for example, means more time for “the human element of journalism,” Nuñez said.&nbsp;

The genuine idea by AI proponents is nearly always that the technology will free up time for “higher value tasks.” Not having to read through and annotate a 100-page report or write up rote copy about a new product release, for example, means more time for “the human element of journalism,” Nuñez said.&nbsp;

In his conception, this means journalists will be encouraged—or forced—to do more original reporting, hunting down sources, conducting interviews and experiencing or observing things firsthand. Analysis and personal perspective will become more valuable differentiators as straight news becomes commodified.&nbsp;

In his conception, this means journalists will be encouraged—or forced—to do more original reporting, hunting down sources, conducting interviews and experiencing or observing things firsthand. Analysis and personal perspective will become more valuable differentiators as straight news becomes commodified.&nbsp;

I struggle a bit with this idea. The concept of struggle, craft or even reading the 100-page report are not necessarily low-level tasks; they build a keen eye for detail and story. In my own career, there have been many times when a footnote or throwaway detail in a voluminous study has become its own lead. It’s an open question, however, about whether that argument will be increasingly archaic.

I struggle a bit with this idea. The concept of struggle, craft or even reading the 100-page report are not necessarily low-level tasks; they build a keen eye for detail and story. In my own career, there have been many times when a footnote or throwaway detail in a voluminous study has become its own lead. It’s an open question, however, about whether that argument will be increasingly archaic.

“It’s a little scary to know that people that have spent their entire lives training to become an expert in their field can be outmoded in the snap of the finger,” Nuñez said. “But I think it forces you to drill down—what is really your expertise?”

“It’s a little scary to know that people that have spent their entire lives training to become an expert in their field can be outmoded in the snap of the finger,” Nuñez said. “But I think it forces you to drill down—what is really your expertise?”

Nuñez uses the metaphor of a tsunami to refer to AI, a technology that will wash over an array of industries and leave only the strongest and most prepared entities standing. His hope is to catch the wave and ride all the way to the end.

Nuñez uses the metaphor of a tsunami to refer to AI, a technology that will wash over an array of industries and leave only the strongest and most prepared entities standing. His hope is to catch the wave and ride all the way to the end.

<h2 class="wp-block-heading" id="h-a-work-multiplier-or-a-work-replacer">A Work Multiplier, or a Work Replacer?</h2>

There are some who hold out hope that AI could help those with creative ideas to leapfrog the frustration, training, credentialism and years of low-paid work that are hurdles to taking concepts to fruition. Would greater use of the technology build a more even playing field, where any idea that can be conceived can be produced?&nbsp;

There are some who hold out hope that AI could help those with creative ideas to leapfrog the frustration, training, credentialism and years of low-paid work that are hurdles to taking concepts to fruition. Would greater use of the technology build a more even playing field, where any idea that can be conceived can be produced?&nbsp;

That’s the inspiration for Pickaxe, a startup co-founded by Mike Gioia to help turn descriptions of plots and characters into scripted scenes using AI. His idea is to democratize access to the entertainment industry by lowering the barrier for entry to anyone with a good idea and sense for story.&nbsp;

That’s the inspiration for Pickaxe, a startup co-founded by Mike Gioia to help turn descriptions of plots and characters into scripted scenes using AI. His idea is to democratize access to the entertainment industry by lowering the barrier for entry to anyone with a good idea and sense for story.&nbsp;

More recently, he has found himself in a bit of an awkward position as an AI optimist in an entertainment industry in full revolt against the technology.&nbsp;

More recently, he has found himself in a bit of an awkward position as an AI optimist in an entertainment industry in full revolt against the technology.&nbsp;

“The life story of a lot of these filmmakers is being told they don’t have enough money or resources to make what they want to make,” said Gioia, a Stanford University graduate who has worked in independent film and television writing rooms. “I very much see it as a way for independent filmmakers to go farther.”

“The life story of a lot of these filmmakers is being told they don’t have enough money or resources to make what they want to make,” said Gioia, a Stanford University graduate who has worked in independent film and television writing rooms. “I very much see it as a way for independent filmmakers to go farther.”

He drew a distinction between writers and actors, who are seeing their fields potentially disrupted for the first time, and post-production workers like those working in virtual effects. These visual effects artists have continually seen novel software and technology become industry standard, meaning flexibility and willingness to adapt to new tools have been critical to remaining successful.&nbsp;

He drew a distinction between writers and actors, who are seeing their fields potentially disrupted for the first time, and post-production workers like those working in virtual effects. These visual effects artists have continually seen novel software and technology become industry standard, meaning flexibility and willingness to adapt to new tools have been critical to remaining successful.&nbsp;

“Their work has been disrupted every two or three years, so they’re used to it,” Gioia said. “Post-production people see it as a work multiplier, but writers definitely feel like it&#8217;s a work replacer.”

“Their work has been disrupted every two or three years, so they’re used to it,” Gioia said. “Post-production people see it as a work multiplier, but writers definitely feel like it's a work replacer.”

“Their work has been disrupted every two or three years, so they’re used to it,” Gioia said. “Post-production people see it as a work multiplier, but writers definitely feel like it&#8217;s a work replacer.”

Gioia is skeptical that AI will completely replace writers; instead, he sees the much more likely negative scenario as showrunners using the technology to replace the tasks of entry-level writers. For instance, an AI tool could outline the structure of a police procedural with suggested characters. Or for a comedy, AI could brainstorm 10 specific ideas for a premise.

Gioia is skeptical that AI will completely replace writers; instead, he sees the much more likely negative scenario as showrunners using the technology to replace the tasks of entry-level writers. For instance, an AI tool could outline the structure of a police procedural with suggested characters. Or for a comedy, AI could brainstorm 10 specific ideas for a premise.

“Now it couldn’t work it into an episode and write a good joke, but it could generate the idea super quickly,” Gioia said. “Honestly, I think it will probably reduce the size of these writer’s rooms, but ultimately in the long run, there will be more writers and more people doing creative activity as a result.”

“Now it couldn’t work it into an episode and write a good joke, but it could generate the idea super quickly,” Gioia said. “Honestly, I think it will probably reduce the size of these writer’s rooms, but ultimately in the long run, there will be more writers and more people doing creative activity as a result.”

Actor, director and cinematographer Mark Gray, center, holds a sign reading "No A.I." as writers and actors staged a solidarity march through Hollywood to Paramount Studios on September 13, 2023 amid a halt in movie and TV production as the dual labor shortages continue. The Writers Guild of America has been on strike since early May and the SAG-AFTRA actors' union joined the writers on the picket lines in July.

<figure class="wp-block-image size-large"><img height="1532" width="2500" src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED6_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202540"/><figcaption class="wp-element-caption">Actor, director and cinematographer Mark Gray, center, holds a sign reading &#8220;No A.I.&#8221; as writers and actors stage a solidarity march through Hollywood to Paramount Studios on Sept. 13.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED6_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202540"/><figcaption class="wp-element-caption">Actor, director and cinematographer Mark Gray, center, holds a sign reading "No A.I." as writers and actors stage a solidarity march through Hollywood to Paramount Studios on Sept. 13.</figcaption></figure>

<figure class="wp-block-image size-large"><img src="https://content.sfstandard.com/wp-content/uploads/2023/09/INLINED6_SanFranciscanAICreativity081523.jpg?w=2500" alt="" class="wp-image-202540"/><figcaption class="wp-element-caption">Actor, director and cinematographer Mark Gray, center, holds a sign reading &#8220;No A.I.&#8221; as writers and actors stage a solidarity march through Hollywood to Paramount Studios on Sept. 13.</figcaption></figure>

Gioia’s father is Dana Gioia, a former poet laureate of California and a noted literary translator and critic. Gioia described growing up with his dad as having his own large language model, complete with hundreds of poems that could be pulled up and recited from memory.&nbsp;

Gioia’s father is Dana Gioia, a former poet laureate of California and a noted literary translator and critic. Gioia described growing up with his dad as having his own large language model, complete with hundreds of poems that could be pulled up and recited from memory.&nbsp;

“I don’t think he sees it as a threat to legitimate human creativity,” Gioia said. But his father does see it as a perhaps overdue disruption to the kind of business models that have been built on creative industries.

“I don’t think he sees it as a threat to legitimate human creativity,” Gioia said. But his father does see it as a perhaps overdue disruption to the kind of business models that have been built on creative industries.

“When you actually try to do really difficult things with these models, you find out how difficult it is,” Gioia said. Although AI can spit out a serviceable outline or script, actually funny jokes or dramatic tension still needs a human touch.&nbsp;

“When you actually try to do really difficult things with these models, you find out how difficult it is,” Gioia said. Although AI can spit out a serviceable outline or script, actually funny jokes or dramatic tension still needs a human touch.&nbsp;

“I think that would make you rest assured that humans are going to be in the loop for a long time,” Gioia said.&nbsp;

“I think that would make you rest assured that humans are going to be in the loop for a long time,” Gioia said.&nbsp;

Gioia said positioning AI as a central antagonist is a useful rhetorical strategy for opponents, but one that elides the very real potential for augmentation and support, instead of replacement.

Gioia said positioning AI as a central antagonist is a useful rhetorical strategy for opponents, but one that elides the very real potential for augmentation and support, instead of replacement.

Not everyone is so sanguine about AI. A growing number of artists see this exponential drive toward efficiency and automated production as inherently at odds with the work they do.&nbsp;

Not everyone is so sanguine about AI. A growing number of artists see this exponential drive toward efficiency and automated production as inherently at odds with the work they do.&nbsp;

Kristina Wong, a San Francisco native and performance artist, made these concerns about AI a central theme of a <a href="https://www.youtube.com/watch?v=OojWyblJyXs" target="_blank" rel="noreferrer noopener">June commencement speech</a> she gave to recent graduates of UCLA’s School of Arts and Architecture.

Kristina Wong, a San Francisco native and performance artist, made these concerns about AI a central theme of a <a href="https://www.youtube.com/watch?v=OojWyblJyXs" target="_blank" rel="noreferrer noopener">June commencement speech</a> she gave to recent graduates of UCLA’s School of Arts and Architecture.

“I ask you, graduating class of 2023, as you emerge into the world, what is that radical imagination that you have that no robot or AI can replicate and how will you lead with that heart and that human intelligence?” she said in her speech.&nbsp;

“I ask you, graduating class of 2023, as you emerge into the world, what is that radical imagination that you have that no robot or AI can replicate and how will you lead with that heart and that human intelligence?” she said in her speech.&nbsp;

In an interview, Wong said she has played around with the technology, using it to help brainstorm images and text for a picture book she’s writing about Asian-American activism. But when she asked ChatGPT to write a story about her, “it spit out this hackneyed immigrant narrative that I haven’t lived.”

In an interview, Wong said she has played around with the technology, using it to help brainstorm images and text for a picture book she’s writing about Asian-American activism. But when she asked ChatGPT to write a story about her, “it spit out this hackneyed immigrant narrative that I haven’t lived.”

Although she takes some solace in the fact that the platforms can’t write anything super funny just yet, she and her colleagues realize that the technology is constantly improving and rapidly encroaching.&nbsp;

Although she takes some solace in the fact that the platforms can’t write anything super funny just yet, she and her colleagues realize that the technology is constantly improving and rapidly encroaching.&nbsp;

“The only thing I can say to other artists who are panicking right now is the reason why it&#8217;s so exciting to people is because it feels so real. But there’s one thing that is even more real. Which is real flesh and blood,” Wong said.&nbsp;

“The only thing I can say to other artists who are panicking right now is the reason why it's so exciting to people is because it feels so real. But there’s one thing that is even more real. Which is real flesh and blood,” Wong said.&nbsp;

“The only thing I can say to other artists who are panicking right now is the reason why it&#8217;s so exciting to people is because it feels so real. But there’s one thing that is even more real. Which is real flesh and blood,” Wong said.&nbsp;

The platforms themselves tend to generate very bland, flat writing. In part, because instead of original experiences, they rely solely on derivative ones.&nbsp;&nbsp;&nbsp;

The platforms themselves tend to generate very bland, flat writing. In part, because instead of original experiences, they rely solely on derivative ones.&nbsp;&nbsp;&nbsp;

Additionally, the autocomplete nature of its mechanism means that the generated text has a bias towards cliché. It’s the reason why many writers believe these programs are incapable of coming up with something fresh, original or moving. At least, for the time being.

Additionally, the autocomplete nature of its mechanism means that the generated text has a bias towards cliché. It’s the reason why many writers believe these programs are incapable of coming up with something fresh, original or moving. At least, for the time being.

Awakening a Part of Us That We Didn&#8217;t Know Existed

<h2 class="wp-block-heading" id="h-awakening-a-part-of-us-that-we-didn-t-know-existed">Awakening a Part of Us That We Didn&#8217;t Know Existed</h2>

<h2 class="wp-block-heading" id="h-awakening-a-part-of-us-that-we-didn-t-know-existed">Awakening a Part of Us That We Didn't Know Existed</h2>

<h2 class="wp-block-heading" id="h-awakening-a-part-of-us-that-we-didn-t-know-existed">Awakening a Part of Us That We Didn&#8217;t Know Existed</h2>

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YIMBYs ate the world—except for SF. Now its founders are up to new tricks

‘Music for my Memories’ taps the magic of San Francisco’s past, present and future

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